El porqué de las naranjas Eva Respini He is also a recipient
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El porqué de las naranjas Eva Respini He is also a recipientAt first sight, reality appears chaotic and anarchic. If events have any kind of logic to them, it lies well hidden behind an overlay of banality so thick as to make it invisible. And yet, at certain exceptional moments, life slackens and reveals itself. The automaton allows its innards be glimpsed, and its mechanism becomes momentarily evident as the logic of chaos. In El porqu de la naranjas, Spanish photographer Ricardo Cases does not document the
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