RGB Doom Guy latest The use of vibrant pinks

The use of vibrant pinks and cool blues creates a stark contrast

an exorcism of childhood iconography rendered in the language of metal band logos and propaganda posters

and senses of a cat - walking a thin line between criminal and hero

21" x 36" (3 feet tall)

The minimalist palette and confrontational composition sharpen the viewer's focus

RGB Doom Guy latest The use of vibrant pinksA devotional object for the age of signal loss and ubiquity at one point in the 1990's Doom was installed on more computers than the Windows operating system. Carefully reconstructed from sprites of Doom Guy with 1% health and hand painted in bands of bruised RGB. The face emerges only at a distance: a low resolution apparition assembled from vertical striations, like a memory buffering in real time. Up close, it fractures into codebars, blocks, and