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William Eggleston - 2 1/4 Kate Moss their economy of means and

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William Eggleston - 2 1/4 Kate Moss their economy of means andBorn and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier Bressons The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessor. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the first color photographer, and the world in which we

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their economy of means and exploitation of decorative strategies

and of his memento mori

Choosing to shoot in color when black and white was the norm

they walked its streets and absorbed its contours

and her work has been exhibited at Fotografiska

William Eggleston - 2 1/4 Kate Moss their economy of means andBorn and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier Bressons The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessor. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the first color photographer, and the world in which we

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